Best Bass Multi-Effects Pedal

Sound processing, aka signal processing, is an essential part of a musician’s task. Whether you’re a professional DJ or a gigging bassist, creating audio effects is a modern prerequisite. Likewise for a studio producer. And for the fact that the need for multi-effects pedals is increasing as more individuals are creeping into the music industry, the market is responding with lines of an overwhelming number of brands and models. This alone makes it difficult to identify the model that perfectly meets your personal needs as a bassist. Therefore, to help you chose the best bass multi-effects pedal out of the crowd, I have put this blog out here.

I have recommended a total of 10 front-liners and reviewed each. For the sake of confusion, my recommendations have been categorized so that you don’t have to read the entire post. Just scroll straight to the category that best matches your budget from the 4 categories listed below.

  • Best Bass Multi-Effects Pedals Under 400
  • Best Multi-Effects Pedals Under 200
  • Best Multi-Effects Pedals Under 100

Under each category, you will find 3 different models, with each dedicated to a specific area of application. And at the end of the last category, I have given out my FREE ultimate buying guide to choose the best bass multi-effects pedals. Let’s drill straight in.

8 Best Bass Multi-Effects Pedal

Perfect Bass Multi-Effects Pedals Under 400

In this category, I review 3 powerful models for your 400 dollars budget.

  1. Best For Live Performance (Heavy-Duty); BOSS ME-50B Bass Multi-Effects With COSM

As a stage performer, you need a heavy-duty box with a lot of effects processing functionalities for your heavy metal. Whether you’re handling a 5-8-strings pounding guitar or a 3-4-strings, this is the best you can get for maximum effects processing in a band setting. BOSS ME-50B is a rugged floor unit with metal body build ready to take all the knocks you can throw at it without wrapping. It offers 6 different effects with 3 exclusives that you won’t find anywhere else. And that gives you a wide range of unique processing for your 350 bucks. But there’s more to it.

On top of the basic drive/synth, master EQ, and compressor effects, BOSS ME-50B allows more options with delay/modulation, filter/tone, and expression pedal. It integrates COSM technology for its compressor/limiter and Drive functions whilst offering Defretter, plus T-wah, and slow gear. There’s also a kick drum effect for timing during your sound-on-sound recording. Likewise, the innovative sound hold function that perfectly sustains low notes while playing highs. The overall sound quality is like bringing the studio to the stage. This unit is also ideal for the DJ though.

The great part is, BOSS ME-50B is easy to set up, configure, and control. All the functionalities have unique control buttons dedicated to each so you don’t have to jostle around the user’s manual before operating it. Meanwhile, there are also 3 footswitches at your fingertips for hassle-free real-time control. See the complete features below.


  • Effects; noise suppressor, filter/tone, compressor/limiter, drive synth
  • Bottom boost
  • delay/modulation
  • Defretter
  • Enhancer
  • Flanger, chorus, reverb
  • Sound hold
  • Kick drum
  • Patches; 24 users
  • Connectors; input jack, output jack, phones jack, AUX-IN jack, AC adaptor jack
  • Power supply; 9V dry batteries (6 pieces)
  • Current draw; 140mA
  • Weight; 7lbs


  • A lot of effects for the money
  • Heavy-duty unit
  • Durable body design made to last
  • Intuitive onboard and footswitch control
  • Noise filter works perfectly
  • Plenty jacks


  • Not for beginner bassists
  1. Best For Rig; Tech 21 Bass Fly Rig Multi-Effects Pedal

Are you looking to set up an effective chain? Whether for your one-man show or live band, this is another good quality pedal to achieve a wider variety of tonal madness. Tech 21 Bass Fly Rig is the bass version of the famous Fly Rig 5. And given that it’s pretty new, it has drawn a lot of attention to itself by squeezing a lot of effects in a single slim box. This unit is developed ground-up by SansAmp to sweep through the most modern tones and storied vintage by using unique character controls for each element. You can tweak a max of 3 signals in real life thanks to the integrated 3-band active EQ.

Engage the Drive button to get your signals wet and dirty by adding gains and overdrive. Create a lot of distortion at a simple push of the Pre-Boost button. TECH 21 Bass Fly Rig also features OCTAFILTER technology that brings a lot of possibilities in two ultimate styles, namely funky town and MinimoogⓇ-style. With it, you can dynamically filter your octave and fuzz without messing up your chain. You can even filter fuzz and octave together or do that separately as you go to get varieties of octave and fuzz version. And finally, you’re able to blend your combination to your direct signal by using the Mix control. Add choral voicing of up to 2 instruments. Create a lot of compressions. Boost your signal overall volume after and before with the post/pre-boost button. And finally mutes a signal path with the employed advanced chromatic tuner.

My verdict is if you’re looking for a stable effects creation with a lot of processing options for your bass without disrupting your chain, this is your best shot for your 300 bucks.


  • Effects; chorus, compression, boost, tuner, OCTAFILTER
  • 3-band equalizer
  • XLR output
  • ¼” low impedance output
  • ¼” headphone output
  • Active bass input pad
  • 9V DC power supply
  • pre/post-boost
  • Fuzz


  • Simple design
  • Can be operated by a beginner
  • Many signal tweaking options
  • Rugged full-metal body
  • Beautiful color blue
  • Lit control buttons
  • Super lightweight
  • Highly portable
  • Great selection of effects
  • Good sound quality
  • Advanced EQ technology


  • The synth-fuzz and synth-octave added may not be needed
  1. Best For Your Fender Guitar; Downtown Express Bass Multi-Effect Pedal

Do you own one of Fender’s series of active or passive bass guitars? Though not limited to that, I highly recommend this baby here to any bassist looking for a perfect match for their Fender bass. Most especially the lefties. Downtown Express is a studio-ready multi-effect unit for studio recording and other professional applications. It packs the 3 basic effects functionalities in a super-simple device. And brings everything that you need for the basic effects processing right under your feet. It has an onboard compressor and an advanced overdrive that is updated with speaker emulation. And like most of the sophisticated high-ends, Downtown Express has a 3-band EQ that allows up to 3 frequency adjustments at a time.

For your overdriven signals, Downtown Express lets you place your compressor to the front or to the back as you wish by engaging a simple order toggle switch. This way, you get to design the perfect tone for the venue and reorder your effects more at will. Also, this box integrates a direct output connection to interface more easily and tightly with your instrument and other studio gadgets when it is set up in a line. Finally, you can adjust the individual signal volume level or make a simultaneous adjustment of all signals with the master volume. The things you can do with this unit include; blend, drive, overdrive/tone, gain/compression, bass/middle/treble equalizer.

Overall, if you’re looking for a less sophisticated bass multi-effect unit for the studio this is for you. You have fewer buttons to push and have access to the basic functionalities of a multi-effect pedal. All buttons are lit for more control, especially for the beginners. See the complete specifications below.


  • 3-band EQ
  • Onboard compressor
  • Overdrive with speaker emulation
  • Tuner output
  • XLR output
  • Direct output
  • Master volume
  • Effect order toggle switch
  • Mute
  • LED-lit control knobs
  • 9V DC negative AC adapter
  • Ground lift
  • DI signal path switch
  • Threshold compressor


  • Best bass multi-effect for Fender guitars
  • Great for the studio
  • Ideal for chain setup
  • Simple interface
  • Best for beginners
  • Excellent sound quality


  • A limited selection of effects
Best Under 200 Dollars

Do you want value for your 200 dollars budget? The pedals I have reviewed below won’t cost you up to that but they’ve all packed the needed functionalities of a basic multi-effects. And the great thing is, none of them is exactly 200 dollars. For instance, the first one below is just 100 dollars. And yet it delivers just perfectly for the bassist players.

  1. Best For Home Studio Recording; Zoom MS-60B Multi-Stomp Bass Pedal

Whether you’re inspired by your favorite heavy metal player to set up a home studio or you’ve some coming small audience-gigging to do, this is the stompbox for you. Zoom MS-60B Multi-Stomp Bass Pedal is a small and highly compact effects unit with up to 58 stompbox effects to offer. At a distance, it is a single typical stompbox. But when set up, whether in a chain or mounted on your guitar, it presents a lineup of great quality bass effects type. It gives you the ability to craft lush, complex tones and create classic sounds by utilizing four effects on a tandem or arranging them in multiple combinations.

The only limitation is that turning on and off multiple effects in a gig with a foot is quite daunting. The thing is, you can only foot-control one effect once set up in a chain. To access other effects, you need to bend down to scroll over to another effect and then use the footswitch again. While this may be a limitation especially for stage performances, Zoom MS-60B offers a realistic high-quality audio design. You are able to make patches and program the order of your patches and cycle through them as you go. From Bass-synth to Funky-slap through Rock-bass.

Zoom MS-60B can be powered by AA alkaline batteries for a non-stop 7 hours of performance. Or you can preferably power it up with via USB bus or an AC adapter to bounce off more time off of it. Overall, this is the pedal for anyone who needs the features of a multi-effects but doesn’t like the overwhelming details of these boxes. The complete specifications below.


  • Number effects; 58 types
  • 4 simultaneous effects
  • Number of memories for patch; 50
  • On the fly programming/deeper internal programming
  • Phone jack input standard
  • AC adapter powering
  • AA alkaline 9V batteries
  • LCD display
  • USB firmware update
  • A/D conversion; 24-bit update
  • D/A conversion; 24-bit update
  • Reverb and compressor
  • Amp simulator


  • Compact, versatile unit
  • Highly responsive with good sound quality
  • 7 hours processing non-stop
  • Onboard auto-chromatic bass tuner
  • A smart selection of effects


  • Switching between effects may be stressful
  1. Best With Expression Pedal; Zoom B1X FOUR Bass Multi-Effects Processor

If you want to go beyond the basics and reduce the number of boxes on your chain board, this is for you. Zoom B1X FOUR packs the functionality of an amp processor, a looper, and up to 70 different effects in a single unit. Ready to use right out of the box, this unit is the gear needed to craft your signature sound for stage performance. In addition to the featured 70 traditional effects, B1X FOUR offers 3 additional boutique effects namely; synth bass, fuzz, and octaver. The amp functionality is exclusively classic, giving you the experience of Fender or Aguilar or any other member of the high-end amplifiers.

You can craft a variety of rhythm patterns, including drum rhythm patterns, thanks to the all-new rhythm section. Create a 30-seconds baseline and loop for as long as it goes and overdub your performance to get more dynamic. This unit presents 2 different operation modes to widen your choice for your money. For one, there’s a STOMP mode with which you can selectively turn effects on and off. And then, there’s the PRESELECT mode to navigate through patches on autopilot without disturbing your current sound. These 2 modes allow B1X FOUR to usable both as a floor pedal and as the one you can dial-in your effects into and set up in a chain on the board.

The only downside is that, while most of its counterparts use just batteries, B1X FOUR will take up to 4 AA batteries to power it up. And the thing is, it eats battery. But if you could power it up though a power outlet using an adapter other than batteries, you’ll bounce a lot of hours off of it. The details below.


  • Number of patches; 50
  • 32-bit signal processing
  • 24-bit A/D conversion
  • 24-bit D/A conversion
  • 128 ✕ 32 dot matrix LCD display
  • 70 built-in effects
  • 68 built-in rhythm patterns
  • 50 memory patches locations
  • Aux input jack
  • Headphone output jack
  • 9 amp processor
  • Patches auto-save
  • Onboard chromatic tuner
  • ZOOM guitar lab software
  • USB MID/USB Micro-B
  • Volume, wah, delay, pitch


  • A lot of storing space for patches
  • 2 processing modes
  • A more hands-on approach design
  • Looping functionality is a plus
  • Classic amps
  • Ideal for both studio and live performance


  • Not a heavy-duty unit
  1. Best For Stage Gigging; VALETON Bass Dapper DI Preamp Stage Session Gigging Gear Multi-Effects Pedal

For a DJ or a sound guy, a highly-adaptive pedal with a lot of outputs is important. With such, you can line up your chain the way you want and also plug as many gears as you need into one pedal unit. Exactly why I recommend VALETON. This is not just an effect box. It is a direct input preamp unit, an effect processor, and a looper at the same time. It comes with enough outputs that run through your mixers, amplifiers, audio interface, mic, PA, headphones, and other gears. For anyone who finds pushing on buttons not as easy as shifting analog, all the controls on this unit are analog with high responsivity.

Get your tones dirty with a highly sensitive and vocal-like Dirty Q module that puts a lot of tricks under your belt. Kick your muddy sound up with a powerful BOOST COMP modulator. Whenever VALETON gets connected directly to a PA, it integrates a bass amplifier of its own to add gain to your signals whilst giving you multiple EQ options. And should you need a more pounding bass tone than your instrument can deliver, just initiate the octave functionality to thicken your bass. The icing on the cake is, VALETON comes with an AC 9V power adapter so you don’t have to splash out on an adapter before powering your unit up.

Overall, VALETON dapper bass is an all-in-one workhorse for every bass player. It is convenient to set up and use when it comes to covering your gigs with a dependable multi-effects unit. As a plus, you get a lush CHORUS feature to expand your signal dimension plus an FX loop connection to extend the effect chain. See the complete features below.


  • Power; 9V DC negative adapter
  • FX loop
  • Chorus
  • Thru output jack
  • DI out jack
  • XLR jack
  • Dirt Q
  • Bass amp
  • Tuner
  • Octave
  • Boost compressor
  • Power consumption; 85mA


  • Great multi-effects for the money
  • Multiple integrations
  • Boost signals better for PAs
  • Portable, solid construction
  • Good, chorusy chorus function


  • The tuner is not very good

Those are my 3 best picks under the 200 dollars price category.

Best Under 100 Dollars

Low budget? No problem. In this category, I review another round of 2 functional multi-effects processors for your 100 dollars budget. Let’s drill straight in.

  1. Best For Home Studio; ZOOM B1 FOUR Bass Multi-Effects

Initially, I reviewed the B1X FOUR version of ZOOM bass multi-effects. Right here is the B1 version that has been engineered so that the low price end of the market can have access to all the features of B1X FOUR. It represents a complete collection of 60 built-in effects plus a set of 68 solid built-in rhythm patterns that can be used in a tandem with a 30-seconds recording looper. You can tailor as many patches as you want and store them automatically into 50 different memory locations with no restriction on how you can make patch selection as you go.

As a home-based DJ or a busy bassist, this may be the best backup pedal you can have in your arsenal. Just like the B1X version, you have access to ZOOM guitar lab effects so that you can download more effects and tweak directly from your PC. Unfortunately, the ZOOM B1 FOUR runs for 18 hours, unlike its ancestor. And it eats a lot of battery power. Except for that, this is a lot of features for the money. It has a chromatic tuner for onboard uses and an output jack for connection into your PA  when gigging or your headphone during practices at home or in the studio.

My final verdict though. This pedal may create future power budgets as it eats battery power, but B1 FOUR is quite a versatile instrument for the fact that it performs for both a passive and active bass guitar. And for the fact that the interface packs so many functions, it may be quite overwhelming for a beginner to control or use this unit without flipping the user’s manual. See the complete features, pros, and cons below.


  • Number of built-in effects; 60
  • Number of patch memory location; 50
  • 30 seconds looper
  • 9 amp models
  • Onboard chromatic tuner
  • 4 AA alkaline battery
  • DI output jack for headphone and PA
  • 24-bit D/A conversion
  • 24-bit A/D conversion
  • Ground lift; -97dBu noise resistance
  • USB micro-B
  • Power adapter; 9V DC 500mA center negative
  • AUX input stereo jack


  • Versatile unit for home studio and stage performance
  • Ideal for both passive and active bass
  • A lot of patch memory with autosave
  • Compact design made to last
  • Runs for 18 hours when powered with battery
  • Lightweight and easy to tag along
  • Quality sound
  • Multiple integrations
  • Low price


  • Overwhelming control for beginners
  1. Best For Practices; DigiTech BP90 Bass Modeling Multi-Effects Processor

If you’re looking to add a simple effects processor to your practicing arsenal of Bass instrument, this is for the beginner bassist. DigiTech BP90 Bass Modeling Multi-Effects processor gives you the vintage, modern, and tip-top boutique models of modulation effects, stompbox, amplifier, reverb, and even that ultimate whammy effect. DigiTech BP90 offers an arsenal of models to choose from as you grow in your bass skills. It features a line of exclusive tones to choose from and huge library effects to craft unique backing for your heavy metal play. Overall, this is a useful unit that a beginner can easily grow with.

Though there’s a great limit to the number of effects you can bounce off of it, DigiTech BP90 has a real-time expression pedal control over all the effects and volumes that it packs in its small body. Connect your headphone through the XLR jack to listen as you practice. Get access to a maximum of 40 quality drum beat patterns as you practice at home. This unit beats most of the high ends by claiming 100 memory locations for your preset patches. Overall, for a footswitch control pedal at this price point, this is a good investment for the beginner bassist.


  • Number of effects; 27
  • Number of preset locations; 100
  • Number of drum patterns; 40
  • Built-in chromatic tuner
  • Headphone jack
  • Expression pedal
  • Wah effect
  • Volume control
  • Modulation effects
  • Reverb and delay


  • Exclusive tone and effects library
  • Easy programming
  • Aggressive high-quality sounding
  • Easy to use for beginners
  • Studio-quality multi-effects pedal


  • Limited effects

As promised, below is the ultimate buying guide for choosing the best bass multi-effects processor.

Ultimate Buying Guide For Choosing The Best Bass Multi-Effects Processor

  • Number of effects; this depends on your level and experience. If you’re a beginner bassist, you should be settling for fewer effects. On the other side, you need a lot of effects on your professional gigging.
  • Number of location memories; this is especially important for the DJ bassist. You need the maximum memory location to store up your preset patches on.
  • Power; in all situations, your effects processing unit should offer maximum power so that you can use it for hours after a complete charge. This way, you can focus more on creating great effects and worry less about running out of power.
  • Sound quality; regardless of whether it’s in a chain or a direct guitar connection, your preferred pedal should be of good sounding quality.
  • Versatility; the versatility of a multi-effects processor is measured by how ell it performs with both passive and active basses. And also by how picky it is when it comes to charging it up.
  • Simplicity is key; the best pedal will pack a lot of features whilst being easy to operate at the same time.
  • Portability; being able to slide your unit into a purse makes your movements faster and easier. Look out for the weight and size of your pedal before clicking the “buy now” button.


Multi-effects processors are a way to reduce your chain and reduce the sophistication of your board. But making the right purchase decision may be quite daunting. And that is exactly why I have taken the pain to guide you through the process. I hope you were able to buy that best bass multi-effects pedal out of the 8 reviewed so far.