Best Mic For Acoustic Guitar

In the same way that PA systems are an integral part of every stage performer’s arsenal, microphones can’t be left out of your music production. So to speak, you want a more specific mic that is engineered for your acoustic guitar play in lieu of settling for a conventional mic. Right? Also, you want to zone in completely and choose the best mic for acoustic guitar that chiefly serves the purpose for which you’re buying it. For example, you want to avoid a large-diaphragm microphone for your live performances at all costs as it is difficult to position properly in such a setting. Likewise, microphones that bleed from your instruments are not ideal for your studio recording.

So to speak, to ensure that every penny you spend work together to your satisfaction, and to make sure of great sound quality and maximum mic performance, I have done the work for you. In this post, I have recommended 8 best microphones for acoustic guitars with each recommended for a unique purpose and needs. Check through to see if you are lucky enough to spot a reviewed guitar that is recommended for your music production needs below.

Top 8 Acoustic Guitar Mics – Quick Overview

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Best Mic For Acoustic Guitar Recording

The Top-Liners Under 300 Dollars

In this section, I recommend 4 different mics under 300 dollars for 4 unique purposes with your acoustic guitar. Let’s dive in.

  1. Best For Home Studio; Rode NTG4 Supercardioid Condenser Shotgun Mic

Rode NTG4+ Supercardioid Condenser Shotgun Microphone with Inbuilt Battery

Generally, shotgun microphones are more directional than any other designs. But Rode NTG4 appears to offer even more directions for your home studio. Following the footsteps of the award-winning NTG2, the NTG4 is a broadcast-quality directional microphone that has been engineered for a premium audio recording and broadcasting in the studio. It is a capsule condenser, offering a low noise floor and higher sensitivity to pick up the most insignificant frequencies and ensure that a single sound is not lost. This may not be great for your live performances where it’d pick up feedback and noise. But you can always EQ away any self-noise from your audio processor. Right?

To the great part. The NTG4 model packs exclusive features in its short shotgun body. For one, it offers a high-frequency boost function that allows you to add gains to your acoustic tones and make your production whole and pounding. But this doesn’t automatically make it vulnerable to all the unwanted low frequencies. By initiating the high-pass frequency filter, you can cut out all the unnecessary background noise that may otherwise distort your acoustic plays. For this same purpose, a PAD attenuation device is built into the mic and the result is a fine-tuned but natural acoustic guitar sound quality.

Finally, all the aforementioned functions are controlled easily on an intuitive digital switching interface on the shotgun body. This lets you escape the difficulty of justling around tight knobs that are closely packed or straining your finger in the process of pressing on hard buttons. And did I mention that your package includes a clip holder for mounting on a stand? You also get the USB charge cable and a zipper bag to keep your investment safe when not in use. The only downside, however, is that you get to spend extra bucks on the 120 hours phantom power battery needed to power it up. And again, the unit doesn’t switch off completely when turned off and that wastes the battery away in my opinion.


  • Acoustic principle; gradient line
  • Body design; shotgun capsule
  • Polar pattern; super-cardioid
  • Frequency range; 20Hz to 20, 000Hz
  • Output impedance; 200 ohms
  • Maximum impedance; 136dB
  • Sensitivity; -32.0dB
  • Equivalent noise level; 16dB
  • Required power; 12V or 24V or 48V phantom power
  • Output type; 3-pin XLR
  • High-frequency pass filter; 75Hz minimum
  • PAD; -10dB
  • High-frequency boost
  • Best choice under 300 dollars for studio-quality production
  • Adaptable for boom-mounted or on-camera uses
  • Convenient digital switching
  • Saves up last settings even when switched off
  • Low  noise floor
  • Smooth, rich character
  • Circuitry protection
  • Exceptional battery life 


  • You have to spend on a phantom power battery
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  1. Best For Professional Studio Production; Aston Microphones Origin Large Diaphragm Cardioid Condenser Mic

Aston Microphones Origin Large Diaphragm Cardioid Condenser Microphone

Coming from Aston, this is one of the most heavy-duty amplifiers built in the UK for your professional studio production. Origin large-diaphragm cardioid condenser mic is a high-performance 1-inch gold evaporated capsule design, incredibly portable but far-reaching at the same time. The unit is engineered from the ground up for direct delivery of intimate and smooth sound quality. By using a pressure gradient acoustic principle together with a high-end transformer-less circuitry, Origin not only claims its place among the most versatile capsule mics for all instruments but is also exceptionally great for your acoustic guitar amplification. But here is more to it.

If you have less studio space, Origin has a mount hole location (end caps) that easily mounts on standard mic stands and thereby eliminating the hassle and bulkiness of suspension brackets. Talking about clarity to details, Origin rocks that department with an impressive proximity effect, though it doesn’t require that you maintain the regular 2hrs distance you’d have to with most of the conventional capsule models. Meanwhile, though the mic has its own built-in pop filter, it is easier to mount an external pop filter to Origin thanks to the narrow vertical profile of its body when mounted on a stand.

Overall, if you’re looking for simplicity and durability in a warm, crispy sounding mic for your professional studio production, Origin saves you a lot of money at the bottom line. The noise in it is little and the chassis of the cardioid pattern eliminates background noise smartly. See the complete specifications, features, pros, and cons below.


  • Frequency range; 20Hz to 20, 000Hz
  • Transducer type; condenser
  • Acoustic operation principle; pressure gradient
  • Cardioid directional polar pattern
  • Noise level; 18dB
  • Sensitivity; 23.7mV/Pa @ 1, 000Hz
  • Signal to noise ratio; 76dB
  • PAD switch; -10dB
  • Low cut filter; 80Hz
  • Required phantom power; 48V
  • Weight; 0.99lbs
  • Exceptionally lightweight unit easy to carry in a purse
  • Easy mounting on a stand, thanks to the end caps included
  • Saves studio space when mounted with pop filter
  • An in-built pop filter is included
  • Unique wave-form mesh head design
  • Warm, crispy acoustic sound
  • Great mic for professional studio quality
  • A superbly balanced mix of circuitry


  • Doesn’t come with the required phantom power
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  1. Best For On-Cam Use; Rode VideoMic NTG On-Camera Shotgun Microphone

Rode VideoMic NTG On-Camera Shotgun Microphone

If you run a Youtube channel where you reach out to the world as an acoustic guitar wizard or you’re looking to create a quality guitar play tutorial that sells like crazy, this is for you. VideoMic NTG is a descendant of the all-mighty NTG5 that made the first-ever biggest stride into the market from the NTG series from Rode. And it brings all the essential features and functionalities needed for a professional on-Cam production right into the studio. The sound transparency of it is obviously yet to be matched by any broadcasting mics. So you can always expect your sound to be uncolored, clean, rich, and natural just as it comes out of your guitar pickups. On the exclusive feature side, VideoMic NTG spots an exclusive dB peak signal light that fires up just right in time so you can stop your audio sounds from getting clipped.

To confirm your expectations, VideoMic NTG also fulfills all the basic functionalities of a super-cardioid polar pattern shotgun mic that it is. For the basics, it has a much lower self-noise compared to its peers whilst boasting greater direction at the same time. It also comes with all the tools you need for your on-cam production. One of those is a standard SM7-R camera mount that grippingly holds the unit in position at the top of your camera as you play. Other included tools are; a foam windshield to reduce excessive pressure/secure your audio from getting static, and an SC10 cable plus a 1.2m USB-C cable for tight and easy connection with your tab, phone, laptop, and other mobile devices for broadcasting on the go.

What audio production options do you have with Video-Mic NTG? Just the basics, I’d say. For one, you can set up a frequency filter range and even boost high-frequencies right from the mic. Then again, there’s a more unique infinite gain control that allows you to craft the right sound for the right venue. And did I mention the auto-sensing functionality that automatically detects your instrument from 3.5mm away? See the complete specifications list below for an outlook of what to expect.


  • Acoustic principle type; pressure gradient (electret condenser)
  • Polar pattern type; super-cardioid
  • Range of frequencies; 20Hz to 20, 000Hz
  • Frequency response range; 23Hz to 18, 000Hz
  • Output impedance; 10 ohms
  • Signal to noise ratio; 79dBA
  • Equivalent noise level; 15dB
  • Sensitivity; -26dB re 1V/Pa
  • High-frequency pass filter range; 75Hz-150Hz
  • Maximum battery life; 30hrs
  • Maximum battery capacity; 350mAh
  • Weight; 94g
  • SC10 cable
  • USB-C cable; 1.2m
  • Foam windshield
  • SM7-R camera mount
  • Built-in battery with a lot of battery life
  • Convenient digital switching of functions
  • It features an infinite gain control
  • dB peak warning light is the icing on the cake
  • High-direction amplification unit
  • Low self-noise,
  • Flat frequency response system
  • Sliding rails on the on-Cam mount make adjustment easy
  • Rugged aluminum construction built to last
  • Quality acoustic naturality and transparency
  • A versatile mic that integrates with mobile devices 


  • Not compatible with Canon HF G30
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  1. Best For Live Performance; MXL Cr89 Premium Low Noise Condenser Mic

MXL Cr89 Premium Low Noise Condenser Microphone with Shock Mount and Flight Case

Looking for a complete amplification setup for your live performances? For your 300 bucks, you won’t find something better, in my opinion. MXL Cr89 is a complete package of a low noise microphone that comes in an aluminum briefcase together with a microfiber cleaning cloth and a standard MXL 60 shock mount. The microphone in itself features an emphasized body with a gold-sputtered, 6-micron diaphragm promising warmth in character whilst being faithful to the naturality and uniqueness of your acoustic sound. Highly-recommend performing vocals and playing an acoustic guitar in tandem on the stage for a large audience. MXL Cr89 has a very low proximity effect that doubles its application for an up-close recording.

The large-diaphragm design of the micing part that is covered in black and chrome shield allows it to handle your acoustic tones more subtly while pushing your vocals to the front with a lot of gains. The tuned grill cavity of the design performs the function of a windshield, protecting your tones from wind pressure and eliminating the inevitable feedback on stage. The heavy-duty shock mount is a plus. It is a standard shock mount that emphasizes its duty as a feedback eliminator and a floor vibration stopper while protecting your investment from damage at the same time. But that’s just about any standard shock mount. Right?

Overall, for a condenser mic offering all that benefits for your live performances, the 250 bucks price tag is just a steal. Add to the fact that you get a professional-looking briefcase that has a lot of spaces in it for packing all gigging units in one single place. See below for the complete specifications.


  • Mic type; condenser
  • Acoustic principle; pressure gradient
  • Diaphragm size; 6 micron-diaphragm
  • Diaphragm type; gold-sputtered
  • Frequency response range; 20Hz to 20, 000Hz
  • 32mm capsule
  • Polar pattern; cardioid
  • Sensitivity; -30dB re 1V/Pa
  • Impedance; 150ohms
  • Equivalent noise; 14dB
  • Metal finish; black and chrome
  • Signal to noise ratio; 80dB
  • Dynamic range; 124dB
  • Power requirement; 48V phantom power
  • Ideal for all stage performances
  • Versatile and highly adaptive for all instrument
  • Great for making vocals and playing acoustic guitar together
  • Useful heavy-duty storage box
  • Standard shock mount
  • Feedback elimination
  • Warm in character
  • Pure and original acoustic tone with no distortion in the least
  • A lot of frequency response range
  • To quality condenser amplifier for vocals and instruments
  • Solid-body construction that is highly durable
  • Recommended for heavy-duty production
  • Usable for up-close studio recording as well
  • A lot of battery life for your extended duration performance
  • Great price point, far below 300 dollars


  • It doesn’t come with the needed XLR cable connector
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And that rounds up my 300 dollars category. Moving on to the next price point…

Best Mic For Recording Acoustic Guitar Under 200 Dollars

In this section, I recommend some of the top-quality microphones under 200 dollars for 4 unique areas of application. Diving in.

  1. Best For All Guitars; Sennheiser e906 Supercardioid Mic For Guitar Amps

Sennheiser e906 Supercardioid Dynamic Mic for Guitar Amps

Why spend on a single-purpose unit when you can purchase just one mic that performs just great for all guitars? Regardless of the type of guitar that you’re planning to play, Sennheiser e906 is a dynamic amplifier that is yet unique to its guitar amps purpose. The body design is cut into a flat shape that makes it more fitting for your guitar amps. Whether you’re playing an acoustic or you’re looking for the best fit for your heavy metal amps, this does the job. Also recommended for your classical and electric guitars, Sennheiser e906 pronounces all tones for a well-formulated lively, full sounding.

By allowing an XLR-3 connection to your PA system or other sounding units, Sennheiser spots its well-deserved space among the chief instrument mics for professional live sound, stage, and studio use. You can as well boost your drums, Tom, Percussion, and even Snares with this versatile micing unit. The only downside is that it lags behind by 200Hz in terms of frequency range when compared to most micing devices with 20, 000Hz frequency max. But 18, 000Hz is not all that too low as a maximum frequency response considering that you have a PA system to pound tones up for you. Right?

Finally, one thing sets Sennheiser e906 apart from the crowd and that is the unique 3-position switchable sound character. With this functionality, you have the option of filtering your acoustic sounds to either bright, moderate, or dark. Overall, the light weightiness coupled with the extra-resistance metal body reinforcement of this unit makes it durable and easy to mount up for use.


  • Transducer principle; dynamic
  • Frequency response range; 40Hz to 18, 000Hz
  • Minimum terminating impedance; 1, 000ohms
  • Connector type; XLR-3
  • Nominal impedance; 350ohms
  • Sensitivity; 1.5mV/Pa
  • Pick-up pattern; super-cardioid
  • Overall weight; 140g
  • MZQ 100 microphone clamp
  • Mic pouch
  • Superfast attack
  • Ideal for lively, full tones
  • Comes with 3-positions switchable presence filter
  • Rugged body with extra-resistance
  • Flat body structure, most ideal for micing amp
  • Highly dynamic micing device


  • Doesn’t come with the needed setup cable
  • No USB included
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  1. Best Multipurpose; Audio Technica AT-2035

Audio-Technica AT2035 Cardioid Condenser Microphone Bundle with Pop Filter with 2 Layered Mesh and 10-foot XLR Cable

At times, it’s just great to have all your micing jobs done by the same unit. This especially for a solo performer who plays several instruments. Likewise, your studio miking unit should be such that it pronounces the unique tone of each instrument naturally with no coloration in the least. Therefore, in the fidelity of the best multipurpose microphones under 200 dollars for heavy-duty audio music production, I recommend the AT-2035 of yours truly, Audio Technica. Audio Technica AT-2035 is a portable but robust body design of a cardioid condenser microphone. Perfect for both home studio and professional production, stage live performances, and equally ideal for live streaming and podcasting.

If you’ve ever had to mount up one of the Audio Technica 20 series mics for any of the aforementioned purposes, you have a glimpse of what to expect from this one. Audio Technica AT-2035 has a more closed cardioid polar pattern on its rear and its two sides that helps to reduce pickups of unwanted sound, securing pureness and wholeness to your music play. What’s great? An optimized 80Hz high-frequency filter that sheds away those dustbags of interfering tones. Plus, an exceptional level of consistency of tones. Add to the fact that you have fewer configuration buttons to justle around.

My verdict though. If you want a super-dynamic miking condenser unit that easily adapts to your demands, this one offers a lot for the 150 bucks price. Did I mention that it comes with a solid shock mount that is dedicated to providing superior isolation? Even most of the 200 bucks models don’t offer the free XLR connector cable that AT-2035 brings to you. So, I’d just say that you’re getting a lot for your money.


  • Polar pattern type; cardioid
  • Frequency response range; 20Hz to 20, 000Hz
  • Sensitivity; -33dB re 1V/Pa
  • Impedance; 120ohms
  • Maximum input sound level; 148dB
  • Dynamic range; 136dB at 1, 000Hz
  • Signal to noise ratio; 82dB at 1, 000Hz
  • Required phantom power; 11 to 52V
  • Overall weight; 403g
  • Output connector; XLR-3
  • Frequency filter; 80Hz
  • Element; fixed-charge back plate permanently polarized condenser
  • PAD; 10dB
  • Perfect tone isolation
  • Firm grip hold the mount
  • Great sounding mic for acoustic guitar
  • Ideal for professional voice over
  • Highly sensitive
  • Super-dynamic amp unit
  • Comes with everything you need except battery
  • Great price point


  • You may need a reaper to get rid of the clips
  • It may make your mix muddy when used in DJing without EQ
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Ending the 200 bucks category here. See below for 2 more miking devices for a lesser budget.

Best Mic For Recording Acoustic Guitar Under 100

In this final category, I recommend and review the 2 best miking devices for your 100 dollars budget. See them below.

  1. Best Low Price; MXL Mics 770 Cardioid Condenser Microphone
MXL Mics 770 Cardioid Condenser Microphone

This may not be the best miking device on the market and it may not be the lowest in price, but if you’re looking to minimize cost without jeopardizing mic performance, this is for you. MXL Mics 770, as the name suggests, is one of the 700 series line of condenser microphones from the house of MXL. It is engineered from the ground up with streamers and podcasters in mind. Featuring a more balanced bass response cum a high-end clarity, MXL 770 offers versatility in its patented design. Though the manufacturer promised excellent performance on all instruments, I’d rather get this for strings instruments and vocals alone.

Also, the product’s page says to use for podcasting and streaming uses only. But this unit will just be as great for performing on stage as well, though in a small audience setting during your one-man show. Another thing that I noticed is that though it allows USB connection, the best way to hook MXL 770 to your laptop in order to get a broadcast-quality sound is to purchase an audio interface that has an ASIO driver in it. Likewise, I’d advise that you buy a pop filter or probably a windscreen, depending on your budget, to cut away the tiny bits of plosives and background noise that you may experience without one.

Overall, this steal price mike beats many of the 5oo bucks models out of the water with a crispy acoustic sound. If you use a Zoom H4N audio recorder or any of the portable audio recorders for broadcasting and recording, this mic will be the best fit. Even at that price, it comes with its own shock mount and a briefcase to store it away or carry it about as the professional that you are. See below for the complete specifications.


  • Acoustic principle; pressure gradient
  • Diaphragm; 6-micron gold-sputter
  • Frequency response; 30Hz to 20, 000Hz
  • Metal finish; black finish with black grill
  • Current usage; 3.0mA
  • Power requirement; 48V phantom power
  • High pass filter; 150Hz
  • Sensitivity; 15mV/Pa
  • Impedance; 150ohms
  • Polar pattern; cardioid
  • Equivalent noise; 20dB
  • Overall weight; 453.59g
  • Insanely low-price mic
  • Best mic for recording acoustic guitar under 100 dollars
  • Packs a lot of miking power
  • Comes with mount and storage briefcase


  • A sensitive mic not ideal for live performance
MXL Mics 770 Cardioid Condenser Microphone
  1. Best For Practices; Audio Technica AT-2021
Audio-Technica AT2021 Cardioid Condenser Microphone

Last on the list is another model from the 20 series of yours truly Audio Technica. But this time, it’s the AT-2021 that has given acoustic beginners the feel of recording vocals and instruments the professional way. Whether you want it for your acoustic, your Charango, and Ukelele, Audio Technica has designed this one with your practices in mind. But don’t settle for my prescriptions. I have seen professional players and onstage performers pound their music with this same unit with no problem. But I just have a feeling that a low-price unit should be used for light-duty purposes so you get to bounce off more years of usage off of it.

What’s in it for you? Low-mass element design for tiptop transient response. Noise pickup reduction as expected from a cardioid polar pattern unit. And on top of all of that, you get a Mount which is not so great and a storage purse that is not too strong. Check the complete specifications below to know what to expect.


  • Polar pattern; cardioid
  • Frequency response range; 30Hz to 20, 000Hz
  • Open circuit sensitivity; -39dB
  • Impedance; 250ohms
  • Maximum input sound level; 135dB at 1, 000Hz
  • Dynamic range; 126dB at 1, 000Hz
  • Signal to noise ratio; 75dB at 1, 000Hz
  • Phantom power requirement; 48V
  • Weight; 83g
  • Noise; 19dB
  • Stand clamp
  • Protective storage pouch
  • Recommended for acoustic guitar, piano, and overheads
  • Natural sonic character
  • Corrosion resistance on the connector jack
  • Rugged design for durability
  • Great transient response


  • The included accessories may just be pointless
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Were you able to pick the best mic for acoustic guitar from the recommendations above? Use the comment box if you haven’t spotted the one with the wow factor for your needs just yet.

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